Textured painting “Almighty Vibration” in a room

In a room

Almighty Vibration

  • Art object, 150 cm
  • Texture, mixed cutting, gloss in places

RUB 180,000≈ $2,100 · €1,800

Ask about this work

A circle 150 cm across. “Almighty Vibration” is an art object rather than a picture: the edge works as much as the face, so the wall around it has to stay empty.

Abstract. Texture, cutwork, gloss in places.

I cut into a layer that had already been built up, and the cuts open what was lying under it.

Why a circle? Everything fits inside one: a planet, a cell, a cycle, a pupil. A rectangle has a top and a bottom. A circle has neither.

Vibration here is a state, not a drawing. Colour, rhythm and the thickness of the layer set up an oscillation you read with something other than your eyes, and I still have no name for it.

People go quiet in front of it.

A metre and a half across is a lot. In a small room the object presses. Give it three metres of standing-back: a hall, a wide living room, a studio.

We vibrate as well. The same impulse that gathers planets sits inside every one of us.

“Almighty Vibration” — surface texture

Surface

“Almighty Vibration” — surface detail, frame 2

More frames

“Almighty Vibration” — surface detail, frame 3
“Almighty Vibration” — surface detail, frame 4
“Almighty Vibration” — surface detail, frame 5
“Almighty Vibration” — surface detail, frame 6
“Almighty Vibration” — surface detail, frame 7
“Almighty Vibration” — surface detail, frame 8
“Almighty Vibration” — surface detail, frame 9
“Almighty Vibration” — surface detail, frame 10
“Almighty Vibration” — surface detail, frame 11

More in “Light and Vibration”

Textured painting “Taste of flow” in a room
“Taste of flow” — surface detail, frame 2

Taste of flow

Canvas, 100 × 100 cm

RUB 80,000

≈ $920 · €800

Shall we talk about art?

Ask me about any part of what I do — what a work is made of, how it feels to the hand, how it will sit in your room. I am glad to film it for you in the studio. We can talk through size, framing and timing, or start a work that does not exist yet.

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