Textured painting “The Path of Ecstasy I” in a room

In a room

The Path of Ecstasy I

  • Canvas, 100 × 90 cm

Price on request

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“The Path of Ecstasy I”: pink flowers built in texture until they grow out of the canvas. First part of a diptych, 100 × 90 cm, texture and oil.

The ground is a cool Tiffany shade. It does not argue with the flowers, it gives them room.

The pink is hot, the ground is cold. Everything is built on that difference.

The flowers here are characters in their own right. Each is fixed at the moment of opening: quiet, and already decided.

There are many layers and up close you see movement in them. From a distance the composition reads as a route from softness to tension.

Ecstasy in the title means a deep experience with freedom and honesty in it. A flash of emotion has nothing to do with it.

The petals are built thick and stand a centimetre off the plane. Side light picks them out and gives each flower its own shadow.

The second part hangs next to it. Alone, the path breaks off halfway.

This pair takes a bedroom or a wide living-room wall.

“The Path of Ecstasy I” — surface texture

Surface

“The Path of Ecstasy I” — surface detail, frame 2

More frames

Textured painting “The Path of Ecstasy I” in a room, frame 2
“The Path of Ecstasy I” — surface detail, frame 3
Textured painting “The Path of Ecstasy I” in a room, frame 3
“The Path of Ecstasy I” — surface detail, frame 4
“The Path of Ecstasy I” — surface detail, frame 5
“The Path of Ecstasy I” — surface detail, frame 6
“The Path of Ecstasy I” — surface detail, frame 7
“The Path of Ecstasy I” — surface detail, frame 8
“The Path of Ecstasy I” — surface detail, frame 9

More in “Flowers”

Textured painting “Taste of flow” in a room
“Taste of flow” — surface detail, frame 2

Taste of flow

Canvas, 100 × 100 cm

RUB 80,000

≈ $920 · €800

Textured painting “Yin and Yang” in a room
“Yin and Yang” — surface texture

Yin and Yang

Canvas, 120 × 90 cm each

RUB 300,000

≈ $3,500 · €3,000

Diptych

Shall we talk about art?

Ask me about any part of what I do — what a work is made of, how it feels to the hand, how it will sit in your room. I am glad to film it for you in the studio. We can talk through size, framing and timing, or start a work that does not exist yet.

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