Textured painting “Vibrations of Angels” in a room

In a room

Vibrations of Angels

  • Canvas, 150 × 80 cm
  • Mixed multi-layered textured technique, gloss in places

RUB 220,000≈ $2,500 · €2,200

Ask about this work

“Vibrations of Angels” is wound into a funnel. Everything gathers towards the centre and unwinds outward from the same place.

“Vibrations of Angels”, 150 × 80 cm, vertical. Multi-layered textured technique, gloss in places.

Gold and white. The gold changes with your angle: take one step sideways and the painting is different.

White adds air and keeps the gold from turning heavy.

There is no chaos in the funnel. It is built as a rhythm, and it is read with something other than the eyes: attention gets drawn in, breathing slows, and after a minute the room is quieter.

Are there angels on the canvas? No. You will find no wings and no haloes.

The title is not to be taken literally. I rarely name work after what is painted on it, more often after what happens to a person standing near it.

A vertical asks for a tall wall. In a low room the funnel hits the ceiling and stops turning.

“Vibrations of Angels” — surface detail, frame 2

Surface

“Vibrations of Angels” — surface detail, frame 3

More frames

“Vibrations of Angels” — surface texture
“Vibrations of Angels” — surface detail, frame 4
“Vibrations of Angels” — surface detail, frame 5
“Vibrations of Angels” — surface detail, frame 6
“Vibrations of Angels” — surface detail, frame 7
“Vibrations of Angels” — surface detail, frame 8
“Vibrations of Angels” — surface detail, frame 9
“Vibrations of Angels” — surface detail, frame 10
“Vibrations of Angels” — surface detail, frame 11
“Vibrations of Angels” — surface detail, frame 12
“Vibrations of Angels” — surface detail, frame 13
“Vibrations of Angels” — surface detail, frame 14

More in “Sea and Water”

Textured painting “Taste of flow” in a room
“Taste of flow” — surface detail, frame 2

Taste of flow

Canvas, 100 × 100 cm

RUB 80,000

≈ $920 · €800

Shall we talk about art?

Ask me about any part of what I do — what a work is made of, how it feels to the hand, how it will sit in your room. I am glad to film it for you in the studio. We can talk through size, framing and timing, or start a work that does not exist yet.

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