Textured painting “The Profitable Wind of Change” in a room

In a room

The Profitable Wind of Change

  • Technique: mixed media, gloss in places

Price on request

Ask about this work

Night, a black velvet ground, gold going off across it in flashes. A 100 × 100 square, off canvas, bronze framing, gloss in places.

The waves are alive, with foam and character. I did not make them stormy: the force here lifts, it does not wreck.

Ships in the distance. They are coming closer, and they have no sails.

That is the whole point. They need no outside wind, they are already in the current.

I kept the black saturated, nearly soundless. Against a ground like that, gold reads as a signal you would struggle to miss.

Light changes it. Under a lamp the gold comes forward; in daylight it sinks into the depth, so morning and evening give two different works.

Change sometimes arrives loudly, and sometimes it is felt first as wind. Here the movement has started and it is still quiet around it.

“The Profitable Wind of Change” is nearly a promise. When movement appears inside, the outside world starts answering.

Judging by the distance, those ships arrive some other day. Hang it behind a desk.

“The Profitable Wind of Change” — surface detail, frame 2

Surface

“The Profitable Wind of Change” — surface detail, frame 3

More frames

“The Profitable Wind of Change” — surface texture
Textured painting “The Profitable Wind of Change” in a room, frame 2
Textured painting “The Profitable Wind of Change” in a room, frame 3
Textured painting “The Profitable Wind of Change” in a room, frame 4
“The Profitable Wind of Change” — surface detail, frame 4

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Textured painting “The Silent Pond” in a room
“The Silent Pond” — surface texture

The Silent Pond

Non-canvas support, 120 × 45 cm each

RUB 100,000

≈ $1,200 · €990

Diptych

Textured painting “Yin and Yang” in a room
“Yin and Yang” — surface texture

Yin and Yang

Canvas, 120 × 90 cm each

RUB 300,000

≈ $3,500 · €3,000

Diptych

Shall we talk about art?

Ask me about any part of what I do — what a work is made of, how it feels to the hand, how it will sit in your room. I am glad to film it for you in the studio. We can talk through size, framing and timing, or start a work that does not exist yet.

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